Pokorny Low Brass Seminar 2010
University of Redlands
Pokorny Low Brass Seminar
June 11 - 16, 2010
Gene Pokorny, tuba, Chicago Symphony Orchestra
Michael Mulcahy, trombone, Chicago Symphony Orchestra
Randall Hawes, bass trombone, Detroit Symphony
Andrew Glendening, Dean, University of Redlands School of Music
Unlike many festival type opportunities, this is an intense workshop for low brass players to really engage a wide range of musical, stylistic, technical and professional issues in-depth with unprecedented access to some of the most respected low brass players.
In past years the performers have included professional symphony musicians, free-lancers, college teachers, graduate and undergraduate music majors, advanced high school students and dedicated amateurs. These broad perspectives have created wonderfully rich discussions that inspired and energized all of the participants.
The curriculum consists of:
Faculty solo and ensemble recitals
Daily Group warm-up classes
Daily Individual Masterclasses
Daily Joint Clinics
Daily Orchestral section work
All student performers will play daily in masterclasses, an orchestral section and have the opportunity to perform a solo or chamber work on the final concert.
Specifically, here are some of the areas we will explore:
Warm-ups and warm-ups that go way beyond
Sensitivity in balancing brass ensembles and particularly an orchestral low brass section
Untraditional ensemble skills
What is correct vs. What is traditional (!)
What happens in practice doesn't necessarily work in theory (i.e. knowing not just WHAT is musical but HOW to do it)
Our responsibility to the art and to the future of it
The importance of clarity "out front"
The art of listening (i.e. to finally HEAR what you have been listening to)
Solos and Interpretation (i.e. getting away from fat-free, taste-free, style-free playing)
Life and Livelihood; the balancing act
Guacamole, trains, astronomy, Quadrant 2 and "The Search for Intelligent Life in the Modern Day Symphony Orchestra"
Only a limited number of performers will be accepted by audition or professional recommendation. Auditors may join in the group warm-up sessions, but will not perform in the masterclasses, clinics or concerts.
To apply as a performer, complete the application and submit a one page resume and a recording of 2 contrasting solo passages and 5 standard orchestral excerpts by March 15, 2010. To apply by professional references contact Dr. Andrew Glendening directly at Andrew_Glendening@redlands.edu. Performers will be notified by April 15, 2010. Tuition for performers is $650.
To audit the Seminar, complete the application and return with the appropriate fee. Auditors may choose to attend daily for $75 per day or for the entire workshop for $250.
On campus housing is available at reasonable rates.
Pokorny Seminar Application
For more information call (909) 748-8700
Testimonials from the 2009 Pokorny Low Brass Seminar
“The emotion displayed by everyone has inspired me to be more than I thought I could be.” “Nerves, excitement, intimidation, assimilation, participation, realization, friendship, and passion all made for an unforgettable experience.” - Trevor White, trombonist, UCSD
“The Pokorny Seminar gave me such close access to some of the greatest brass musicians on the planet. They were so gracious in sharing their time, expertise, and insights. It will be an experience I’ll remember for a lifetime.” – Justin Isenhour, trombonist, Doctoral Student, USC
“Randy, Gene, and Dr. Glendening combine to make a low brass tri-fecta. Their varying experience, all focusing on one thing –low brass- provides for an unbelievable wealth of knowledge and musicianship.” -Jeremy Morrow, trombonist, Northwestern University
“By far the best musical experience I’ve had. You can’t find better instruction for the price.” - Garrett Karlin, tubist, University of Redlands
“Nowhere on Earth is there such a summit of low brass knowledge as there is at the Pokorny Low Brass Seminar at the University of Redlands.” -Jeff Joyce, tubist, CSLB
“This was an incredibly supportive and nurturing environment, starting at the top with all three members of the faculty. Even with the participants, egos were properly checked at the door. This promoted a free exchange of ideas and allowed everyone to play free of extraneous distractions and negative energy.” - Greg Malovance, freelance trombonist, Chicago
“The Pokorny Low Brass Seminar is an inspiring week of music with great teachers, great friends, and a lovely location.” – Andrew Nissen, trombonist, Sydney Conservatorium, Australia
“This camp packs your mind with knowledge and inspiration. Any low brass player would benefit from this great experience.” – Will Baker, trombonist, UCLA
“Gene, Randy, and Andrew are some of the most gracious teachers I have ever known. The atmosphere was one that allowed much learning.” – Kevin Young, tubist, Doctoral Student, Texas Tech
“The Pokorny Low Brass Seminar was a great experience. I learned a lot about myself and was surrounded by a number of exceptional musicians. Definitely inspiring.” - Christine Hayes, freelance trombonist, Long Beach, CA
“The Pokorny Low Brass Seminar was one of the most memorable experiences of my musical career. For me especially, a young musician, it was great to gain the experience and learn from professional musicians.” - Daniel Lawlor, trombonist, Northwestern University
“I had a great time. I was just an auditor, but I still learned a lot just by listening to what Gene and Randy had to say about what other players brought to play. Both of them have such a great knowledge of music and how the music operates. The musicians involved were great and everyone was really nice and I made some great friendships during my time here.” - Nathan Lee, tubist.
“The Gene Pokorny Low Brass Seminar is a fantastic forum for performers of all ages to come together and grow towards our common goal of true artistry.” – Jemmie Robertson, trombonist, Faculty, Eastern Illinois University
“Well, I have been back from the Pokorny Seminar for a little less than a week and my head is still spinning. When I left I wasn't sure what to expect other than great playing from two of the world's finest brass players. What I got was SO MUCH MORE than that. The combined knowledge and experience of the faculty (Gene, Randy, and Andrew) provided a huge opportunity for learning. A relaxed atmosphere, beautiful campus, and intense schedule ensured that there was something for players of every level, and background. There were many opportunities to play or just listen. I'm still not sure what I learned the most from. With players just starting their college careers sitting in class next to seasoned professionals looking for a "refresher" course the Seminar guarantees that you will get what you are looking for. Gene and Randy were so giving of their time and made everyone feel so comfortable sharing ideas and asking questions that you could not help but become a better player and person after the week. My favorite moment of the week was watching Gene coach a low brass section of students from Redlands University in the same room he had sat in class in many years before.
Talk about coming full circle!
I can unreservedly say that attending the Pokorny Seminar was one of the highlights of my professional career and I cannot recommend it highly enough to anyone looking to improve themselves as low brass players. Keep up the great work!”
Chris Olka
Principal Tuba
Seattle Symphony, Seattle Opera
Photos of 2009 Seminar



