Andrew Glendening, professor an Dean of the School of Music

Master musician is author, dean, teacher, and innovator

Andrew Glendening was the first person to be awarded the Doctor of Music in Trombone Performance degree from Indiana University, where he also earned the school’s highest honor, the Performer’s Certificate.

These followed his studies in not only music but also physics as an undergraduate student at Oberlin College.

“I’m interested in the science of how we interact with the trombone acoustically, physically, and psychologically,” Glendening explains. His curiosity also led to his 2017 textbook, co-authored with Julia Broome-Robinson, The Art and Science of Trombone Teaching, which is used by musicians worldwide.

“Since 1990, I’ve been trying to find better ways to help students improve,” he notes. “The book describes a process based on how you learn, how your brain controls your body, and how you interact with sound.”

In addition, Glendening—a trombonist and dean of the University of Redlands School of Music—is a pioneer in interactive music, in which a performer interacts with a computer to enhance, shape, and influence the music. “Sensors feed sounds from the microphone, the pressure on the instrument, the force of gravity, and images from a live camera into the computer, which become part of the ensemble.”

Glendening has premiered, performed, and recorded many works for computer and instruments and has lectured on interactive applications at such institutions as the Center for New Music an Audio Technologies at University of California, Berkeley, the Center for Experimental Music and Intermedia at the University of North Texas, and the Eastman School of Music.

He is also the inventor of the Magneto-Restrictive Slide Position Sensor for the trombone, which allows for direct integration of the trombone and a computer both for performance and teaching.

Glendening’s father played the trombone in Iowa for Karl King’s band prior to World War II. As a child, he picked up his dad’s trombone and soon discovered he had talent for playing the instrument as well.

An active proponent of new music for the trombone, Glendening has premiered more than 100 works, including three concerti. In 1998 he was awarded Morehead State University's Distinguished Creative Productions Award for his solo CD, Pathways: New Music for Trombone.

He is the principal trombonist of the Redlands Symphony Orchestra and has performed with the Chicago Symphony Orchestra, the San Diego Symphony Orchestra, and the California Philharmonic. Six of his former trombone students have won the U.S. Army Band National Solo Competition. Glendening also was host and artistic adviser for the 2017 International Trombone Festival.

Although music is often taught the same way it was 300 years ago, performers who expand their musical horizons have an advantage, Glendening says. “J.S. Bach with a computer instead of a quill pen would be ideal today. He composed every week, taught music lessons, directed the choir, performed, improvised, and did every aspect of the music business.”